Ars et Labor, 1906/N. 1/Risurrezione

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Autori vari - Ars et Labor, 1906 (1906)

N. 1 - Risurrezione

Franco Alfano

Informazioni sulla fonte del testo

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N. 1 - Proiezioni

N. 1 - Perché dolce, caro bene

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Nota alla trascrizione

Presentazione

[p. 74 modifica]

FRANK ALFANO

RISURREZIONE

Atto III: Il corteo delle detenute

per pianoforte.

La Risurrezione, opera di Frank Alfano, venne lo scorso anno accolta dal pubblico torinese quale un serio, poderoso lavoro di un maestro il quale, per forsa di drammatica tavolozza seppe interessare e commuovere. L’opera dell’Alfano verrà fra breve presentata al giudizio del pubblico della Scala: epperò crediamo opportuno dare ai nostri lettori uno degli squarci sinfonici più efficaci per rilievo di linee e per densità di colorito. È una marcia assai caratteristica nell’ampia figurazione del ⁶/₄ che impartisce a tutto il pezzo un’ampiezza d’andamento sul quale esteticamente s’adagia e stacca la tragicità dei melanconici portamenti ritmici. L’orchestra dipinge coi più efficaci colori il momento in cui le detenute nella prigione delle donne in Pietroburgo, scortate dall’ispettore e dal Capo Guardiano, si incamminano verso la Cappella.

[p. i modifica]

RISURREZIONE

di frank alfano

atto iii. il corteo delle detenute

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Nota alla trascrizione

$\new PianoStaff <<%Apre Piano \new Staff { \clef treble \key aes \major \time 6/4 \tempo 4=92 ^\markup{\italic "MOSSO NON TROPPO in 6"} \relative aes { %rigo up 1.1 r4\fermata r4 c( b aes? b) | c2 << { \voiceOne c4( g'2) } \new Voice { \voiceTwo r8<<c,8( aes>><<c2 aes)>> } >> \oneVoice g'4| << { \voiceOne f( des f) g( e g )| } \new Voice { \voiceTwo f8 <<bes,8 g>>des'8 <<bes8 g>>f'8 <<bes,8 g>>g'8 <<des8 bes>>e8 <<des8 bes>>g'8 <<des8 bes>> } >> \oneVoice \break %rigo up 1.2 << { \voiceOne aes'1. | bes2( f4 ees des _\markup{"m. d."} c)| } \new Voice { \voiceTwo r8<<c4 aes>><<c aes>><<c16 aes>><<c16~ aes~>><<c8 aes>><<c4 aes>><<c4 aes>><<c16 aes>><<c16 aes>>|\pp <<des8 bes>><<des4 bes>><<des4 bes>><<bes16 des>><<bes16 des>> r8 } >> \oneVoice des2( f4 c2.) \break %rigo up 1.3 << { \voiceOne des'4.( f,8 f4 ees } \new Voice { \voiceTwo <<des8 bes>><<des4 bes>><<des4 bes>><<des16 bes>><<des16 bes>>r8_\markup{"m.d."} } >> \oneVoice des4 c)|des2( f4 c2)( bes4|aes2) \<aes4( \!des2) des4(| \break %rigo up 1.4 g,2) g4( aes2) aes4(\< |des2) des4( e2) e4\!| << { \voiceOne g4 f des c2 c4 } \new Voice { \voiceTwo \f \>r8 <<des4 bes>><<des4 bes>><<bes8 g>>r8\! \p <<g4 e>><<g4 e>><<g8 e>>} >> \oneVoice \break %rigo 2.5 }%Chiude relative up }%Chiude staff up \new Staff { \clef bass \key aes \major \relative aes { %rigo low 1.1 r4\fermata r4 c4( ^\pp b aes? b)| << { \voiceOne <<aes8 f>><<aes8~ f~ >><<aes2) f\)>> } \new Voice { \voiceTwo \acciaccatura f,8( c'2) c4( g'2) g4 | f( des f) g( e g) } >>| \break %rigo low 1.2 << { \voiceOne <<aes1.\arpeggio f,|>>} \new Voice { \voiceTwo r4 r4 c'4\staccato f,\staccato c\staccato f,\staccato| } >> \oneVoice << >> << { \voiceOne f''2 f4 ees4 des c} \new Voice { \voiceTwo bes2 s4 s8 <<bes'4 f>><<bes4 f>><<bes16 f>><<bes16 f>> } >> \oneVoice | << { \voiceOne r8 <<bes4 g>><<bes g>> <<bes16 g>><<bes16 g>>r8^\><<aes4 f>><<aes4 f>><<bes16 f>><<bes16 f>>\!} \new Voice { \voiceTwo des2 f4 c2. } >> \oneVoice \break %rigo low 1.3 << { \voiceOne f4. s4. s8 <<bes4 f>><<bes4 f>><<bes16 f>><<bes16 f>>|r8 <<bes4 g>><<bes4 g>><<bes16 g>><<bes16 g>>r8 <<aes8( d>><< aes) e(>><<f aes)>> r8 <<f16 d>><<f16 d>>|r8 <<f4 des>><<f4 des>><<f16 des>><<f16 des>>r8<<aes'4 f>><<aes4 f>><<aes16 f>><<aes16 f>>| } \new Voice { \voiceTwo << des4. bes>>f'8 f4 ees4 des4 c4|des2( f4 <<c2)( f2>>des4|aes2) aes4( des2) des4| } >> \oneVoice \break %rigo low 1.4 << { \voiceOne r8 <<d4 e>><<d4 e>><<d16 e>><<d16 e>>r8<<f4 d>><<f4 d>><<f16 d>><<f16 d>>|r8 <<bes'4 f>><<bes4 f>><<bes16 f>><<bes f>>r8 <<bes4 g>><<bes4 g>><<bes16 g>><<bes16 g>>|s2. c,,2.} \new Voice { \voiceTwo g'2 g4( aes2) aes4(|des,2) des4( e2) e4( |aes'4 f des) c( aes g) } >> \oneVoice }%Chiude relative low }%Chiude staff low >>%Chiude Piano \midi { } \layout { }$

[p. ii modifica]

$\new PianoStaff <<% Apre Piano \new Staff { \clef treble \key f \minor \time 6/4 \tempo 4=92 \relative f' { %rigo up 2.5 des4\< bes4 des4 e2 e4)(\! \mf| << { \voiceOne f4\< des f \arpeggio) bes2-> bes4\! } \new Voice { \voiceTwo s2. <<des,8 bes>><<des4 bes>><<des bes>><<des8 bes>> } >> \oneVoice| << { \voiceOne aes'4( f c ees2.) ~ } \new Voice { \voiceTwo \p r8 <<f c>> r <<c aes>> r <<aes f>><<bes ges>><<bes4 ges>><<bes4 ges>><<bes8 ~ ges ~ >>| } >> \oneVoice %rigo up 2.6 << { \voiceOne ^\>ees'2.) des2\! \pp ( ees4)| } \new Voice { \voiceTwo <<bes8 ges!>><<bes4 ges>><<bes4 ges>><<bes8 ges>><<bes8 ges>><<bes4 ges>><<bes8 ges>><<bes8 ges>><<bes8 ges>>| } >> \oneVoice \pp<<f'4\arpeggio c aes>> r4 r r2.|r4 r \p <<c'' c,>><<b' b,>><<aes'? aes,?>><<b b'>>| \break %rigo up 2.7 <<c2 c,>><<c'4 c,>><<g'2 g,>><<g'4 g'>>|^\<<<f4( f,>><<des'4 des,>><<f'4 f,)>><<g4( g'>><<e4 e,>><<g4 g')>>\!| \break %rigo up 2.8 <<aes1. aes,>>|<<bes'2->( bes,>><<f'4 f,>><<ees' ees,>><<des' des,>><<c') c,>>|<<des'2( des,>><<f'4 f,)>><<c'2. c,>>| \break %rigo up 2.9 <<bes''4.( bes,>><<f'8) f,>><<f'4-- f,>><<ees'4( ees,>><<des' des,>><<c') c,>>|<<des'2 des,>><<f'4( f,>><<c'2 c,\>)>><<bes'4( bes,>>\!|\p <<aes'2) aes,>><<aes'4( aes,>><<des'2) des,2\> >><<des'4( des,\!>> \break }%Chiude relative up }%Chiude staff up \new Staff { \clef bass \key f \minor \relative f { %rigo low 2.5 << { \voiceOne r8 <<bes4 f>><<f des>><<bes'8 des>>r8 <<bes4 g>><<bes4 g>><<bes8 g>>|r8 <<des'4 bes>><<bes f>><<des'8 bes>> } \new Voice { \voiceTwo <<f,2.$ bes,( >><<des'2.$ bes,)>>|<<des'2. bes>>^\><<f'2.-> g,>>\!| } >> \oneVoice <<f'2 c aes>><<c4 c,4>><<ees'2. ~ bes ~ ees,~ >>| %rigo low 2.6 <<ees'2. bes ees,>><<des2 ges>><<c4 c,>>| << { \voiceOne r8 <<c''8 aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>>|<<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>><<c' aes f>>} \new Voice { \voiceTwo <<f,1.^( f,$\sustainOn>>|<<f4 f'$)>>\sustainOff r4 r4 r2.} >> \oneVoice \break %rigo low 2.7 << { \voiceOne r8<<c'' aes f>><<c' aes f>><<des' aes f>><<des' aes f>><<d' aes f>><<des' c aes>><<ees' c aes>><<ees' c aes>><<e' c aes>><<e' c aes>><<f' c aes>>|r8<<f' des aes f>><<f' des aes f>><<f' des aes f>><<f' des aes f>><<f' des aes f>><<e' des bes f>><<e' des bes f>><<e' des bes f>><<e' des bes f>><<e' des bes f>><<e' des bes f>>| } \new Voice { \voiceTwo <<f,1. f,>>|<<f'1. f,>>| } >> \oneVoice \break %rigo low 2.8 << { \voiceOne r8 <<ees''' aes, f>><<ees'( aes, f>><<d') aes f>><<d'( aes f>><<des') aes f>><<des'( aes f>><<c') aes f>><<c'( aes f>><<bes)f c>><<bes'( f c>><<aes') f c>>|^\f r8<<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>>|r8 <<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>><<f' des bes>>r8<<g' c, aes>><<g'( c, aes>><<f') c aes>><<f'( c aes>><<c) aes>> } \new Voice { \voiceTwo <<f,1. f,>>|<<bes'1. bes,>>|<<g2. g'>><<f2. f,>>| } >> \oneVoice \break %rigo low 2.9 << { \voiceOne ^\f r8 <<ees''' aes, f>><<ees'( aes, f>><<des') aes f>><<des'( aes f>><<c') aes f>><<c'( aes f>><<bes) aes f>><<bes( aes f>><<c') aes f>><<c'( aes f>><<aes) f>>|r8<<des' bes ges>><<des'8 bes ges>><<des'8 bes ges>>r8<<des'8 bes ges>>r8<<e' c bes>><<e c bes>><<e c bes>><<e c bes>><<e c bes>>|r8<<f' des aes>><<f' des aes>><<f' des aes>><<f' des aes>><<f' des aes>><<f' des aes>><<f' des aes>><<f' des aes>><<f' des aes>><<f' des aes>><<f' des aes>> } \new Voice { \voiceTwo <<bes,1. bes,>>|<<ges''2 ges,>><<des'4 des,>><<g2. g'>>|<<f1. f,>>|} >> \oneVoice \break %rigo low 3.10 }%Chiude relative low }%Chiude staff low >>%Chiude Piano \midi { } \layout { }$

[p. iii modifica]